Sunday, November 16, 2008
Brazil
The film Brazil was certainly an interesting one; though I suppose it's fair to say that all post-modernist creations are fairly interesting by nature. Much like in Flaubert's Parrot I felt lost in the story's complicated ups and downs. I was even more confused when Robert DeNiro showed up and the main character spun an entire fantasy ending for himself. I will say, however, that the movie was pretty amazing. The futuristic-esque setting really brought the characters and plot to life and I couldn't help but laugh at the random pipes and tubes dropped into the film at completely awkward moments. Still not sure what the overall theme (or should I say themes?) of the film was—but being as it is post-modernist, I suppose the point is not to convey some sense of a universal truth, but rather to complicate matters to such a high extent that a universal truth is neither universal or the truth.
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1 comment:
The humor in response to all this chaos and pathos (much of it truly tragic) may be the film's most postmodern feature.
Nice post.
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