Saturday, September 27, 2008
Blinded by love, Handicapped by ignorance
Friday, September 26, 2008
Connection between the moon and the baby dream
The connection could also be made between nature, feminism and fire. Fire presents danger and femine passion, plus fire is an element of nature, just like babies could be considered an element of women. Therefore Jane's dreams about the babies, and the fact that these dreams represent that someone is in danger of dying parrallel the fire that Jane and Bertha's passion create.
A passage from the book that examplifies this is when Jane is climbing up the wall, in her dream, holding a child in the ruins of Thornfield hall. This parrallel's Jane returning to Rochester after Bertha burns down the house, and seeing the ruins of Thornfield Hall and Bertha being dead, and the doors opening for Rochester and Jane to rekindle (a fire term) their firey romance. And also Jane has children, I'm not sure if that can be connected.
Essentially Nature mirrors feminism and fire is an act of nature that symbolizes femine passion and females are the child bearers and have a 6th sense about their children, so in a sense mother nature gives Jane both passion, in the form of fire, and waring, in the form of a dream that takes place in Janes sleep during the night, a time associated with women, that involves a baby. Nature mirrors Jane.
F*** Jane
janes choice
Jane's persuit to.........?
Farewell to Jane Eyre
Happily Ever After?
Thursday, September 25, 2008
Everything is too perfect!
Conclusion...Jane is satisfied
Tears of Joy and Sorrow
At their reunion, I cried. I couldn't help it. It was something I hoped for greatly, and would have been passionately fueled with anger if Bronte had not allowed their love to join in the end. I was so angry with St. John for the longest while, especially when he was reading out of the Bible with malice and smug hypocrisy. So, I skipped with joy throughout the entire three days of travel Jane embarked on and I feared the exact same things that Jane did. Had he left England forever? Was he still alive? Had he taken his own life, or had Bertha?
I was worried about Rochester, but my worrisome thoughts heightened as I learned he was blind and his hand was amputated. I must say, I almost laughed maliciously at the vivid imagery of Bertha's suicide. Yet I caught myself as I thought of her life. I must say that I have convinced myself that she was not correct in the head, and not just a strong woman notorious for sexual habits. Yet, I must dedicate a few moments of silence to her sad life of being locked up; I believe jealousy got a hold of her as Jane appeared. (Moulin Rouge has greatly altered my perception of everything.... Everyone is driven mad by jealousy in some way or another.)
At their reunion, I cried. I couldn't help it. It was something I hoped for greatly, and would have been passionately fueled with anger if Bronte had not allowed their love to join in the end. I was so angry with St. John for the longest while, especially when
The faith of Mr. Rochester in his fairy. (I absolutely love it when he refers to her as his fairy. And now she truly is his magical creature, leading him around when he had no hope. Her voice carried by magical wind to his aid, when they both needed a miracle so much.) With no sight, it was so easy for him to fall into the trap of imagination ruling out cruelest of cruel reality. I grieved for his longing to see Jane again and as he held her for the first time in the longest while, he could not see her. Yet memory is kind and cannot let go of the images of loves' truest form so quickly. Throughout the book, there was a lot of Christianity, yet this seemed to be the most gripping passage that instilled religion in every action of the characters. Mr. Rochester could barely see the blazing fire, and that was his only beacon. Yet he had to trust Jane, and have the faith to know she wasn't going to leave, or just let him wander off without aid. As she says how she never tires of helping him; reading to him, explaining the scenery, leading him around, being "literally, the apple of his eye" this shows ever greater love than what we witnessed two hundred pages before.
Lovely, short little marriage, long awaited. Happiness factory!
Mr. Lavender, you tease and deceive us tremendously! The bed that Rochester almost died in was not the honeymoon bed; Thornfield Hall was burnt long before the most important scene that we never even had a glimpse at. I was disappointed in this. All is well though. They had a baby boy, whose name was never mentioned. Adele is living a better life now, and so is everyone, I guess. Except us, who have to say good-bye to Jane Eyre and Mr. Rochester, at least for the time being, and go on to other books.
I thoroughly enjoyed this book and it is quickly added to my list of favourites! I can't wait to re-read it and re-analyze Bronte's amazing work! Thanks for posting, reading my posts, commenting, and adding your analysis! Lovely work classmates!
Ending
Somehow it Always Comes Together
Jane's unpredictable character seems to have become a pattern in Bronte's writing. The vibe the St. John gives off is also a little confusing. Who is this guy really? Why does he tell Jane to suppress her feelings after she discovers her distant relative left her all this dough? Again the male authority figure is cramping down on Jane's style. Jane's character throughout the book has been a reaction to the men and the authority around her. After the disappointing departure from Rochester, Jane becomes this needy and desperate woman, an entirely different person from who the reader had so avidly supported. Now when Jane's true demeanor finally returns Bronte has this negative pull against her, oppressing Jane's ability be independent.
I hope in the last fifty pages Jane busts through and stands out as the thriving woman the readers so desperately seeks, but at the same time I am hoping for a radical twist that throws the reader off where everything doesn't come together.
Passion and "almost" forgotten love.
Marriage?
Josh's Analysis Through the end of the novel
Josh's analysis Through Chapter 34
Love and reality!
RICH????
Jane has a FAMILY!!!!
Leaving Rochester!!!!!
Romeo and Juliet?
India?
Anyways, I think St. John is a little twisted in his idea that he HAS to marry Jane. There is no passion there whatsoever. The fact that he was all condemning and saying things about Rosamond that she wouldn't make a good wife and she is only a little crush basically had me throwing the book across the room. And now, he just wants to marry her for the purpose that they would make good missionaries together. yeah. what about passion? THANK YOU JANE FOR SEEING REASON! This entire 'missionary persona' that John takes on is sooo hypocritical. Look at what he says to Jane: "...it is not me you deny, but God. Tremble lest in that case you should be numbered with those who have denied the faith, and are worse than infidels!" Yeah, 'cause she is totally denying God by not marrying you.....THAT MAKES SENSE! not
Whatever. I was so proud of Jane when she sarcastically says: " 'I scorn your idea of love.' I could not help saying," I skipped for joy at the passion that is vigorously roaring through her entire frame again! For so long, with the exception of when she says "And I am a hard woman - impossible to put off." While she is demanding that John tell her the news of their relation. and a few pages before when John says (in regard of Rochester) "He must have been a bad man." and Jane harshly replies: "You don't know him - don't pronounce an opinion upon him." Pg. 440. Sorry that was a great tangent. But as I was saying, she hasn't really been emblazoned with the passion that she normally is until now, and John says "I scarcely expected to hear that expression from you," And I just instantly thought, Well, of course, because Jane has been hiding her TRUEST passion for so long, you naturally wouldn't expect her to be the type to have such a rebuke. (I am drawing this from all of the observations that John himself made of the Jane Eyre he knew, but we know far more of her passionate side.) One more quote that I absolutely love as Jane is meditating her choice between India and marriage or nada of both, she says to herself: "But as his wife - at his side always, and always restrained, and always checked - forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital - THIS would be unendurable." I love her strength to repress her sorrow for leaving Rochester and still admitting it to us as the reader and then showing us how even though she is tormented at night with horrid and vivid memories of the love she has lost, yet she still makes it through. In this passage, she tells us exactly how it could not be endured and how she cannot torture herself any further and so she is set in her resolution to not marry John. I think John is sort of a creeper, 'cause he just keeps watching Jane and is OBSESSED with the idea of her going to India with him as his wife, and it's just weird. Whereas before I fell into the hopelessly romantic trap of oohing and awing at Rochester's obsession of watching Jane and notice every freakin' detail about her. :) And I find it super mean of John to just suddenly force Jane to learn this weird language, and I sorta hate myself for not seeing the correlation between that act and the inevitable future. well, i gotta go finish it! SuPeR sToKeD!
Jane Should Rot in Hell
What a weird and abrupt ending. I'm really annoyed with Bronte's abrupt style of writing. It seems like she just wanted to be done with the book. And she introduced Mary and John.... maybe I just have a bad memory, but where the hell did they come from. And to end with one of their lines.... very odd. It doesn't make sense. I will however give Bronte credited for not writing a stereotypical everyday love story. This story, although a love story, had a few twists and turns involving mad wives, desolation, etc. Nonetheless, it was pretty obvious what was going to come; Jane and Rochester living happily ever after. Personally, I feel Bronte's style of writing is very clunky and predictable. Not a bad book however.
St. John's a Wart
I feel like religion and God have all the sudden become much more prominent in the book. Ever since Jane left Thornfield. Perhaps Bronte is trying to make some statement about this. If she is, she's lost me because I don't feel like anything relating to religion is tying together in any way. It's like a lot of her characters; they just come and go, but you never learn the whole story. To be honest, I don't like this. She needs to tie things off at some point, preferably before the very end of the novel. Also, to think that Rochester has disappeared for the rest of the book is inconceivable. Bronte couldn't just cut him off that abruptly. Who knows though; I guess we'll find out...
Wednesday, September 24, 2008
AH!
Yet Another Doomed Proposal
Algunas preguntas de Emma G.
I knew something miraculous was going to happen, she followed the light to the house and sure enough there were people in it. I was kind of taken back by the fact that Hannah wouldnt let her in the house i mean i can sort of see why she wouldnt because Jane was like a beggar and all but at the same time she should have at least given her the chance to explain herself. It was very nice of John to bring her in and give her a chance to tell her story. I really like how she connects with the two sisters, it adds sort of another story into the whole bigger picture. I suspected from early on that there was something going on with John and Jane and just the whole situation in general. I just had this weird feeling that they were going to get together or something and sure enough he asked her to marry her, which might I add is after we find out that they are cousins. WEIRD!! Who would have thought that they were cousins all along and its also so crazy how they figure it out with the little piece of paper.
I like Janes character, she is very outspoken and stands up for what she believes in so when she is overcome by John its really a bummer because she simply stops believing in what she thinks is right and she stops sticking up for herself. He kind of freaks me out, honestly why would you want to get married to your cousin. I have to say that in the beginning I liked him though, I thought him a very sensible man but i have def changed my mind. "I was with and equal" Jane says this about John which is NOT good because thats what she said about Rochester. I wish she would just snap out of this trans she is in and realize what she is doing. oh yea and where are the sisters through all this? do they know that their brother has just proposed to their cousin?
ESSAY!!!
saved
One thing that really bothered me is in the chapters before she gets picked up by the Rivers, all she does is complain about her situation which is a 100% her fault. It wouldn't bother me so much if she was kicked out or something, but after leaving voluntarily, and acctually denying someone else of happiness and then complaining about it...I'm cold, I'm hungry, I'm so lonely, etc. I believe she should have stayed with Rochester. First of all, the book would have ended 200 pages earlier. Second, she broke the immortal law of true love. And finally she had nothing to lose, she might have lost her character, but she loses it anyways after being outside for only two days by herself. She becomes a beggar and beseeches herself upon whomever she thinks will listen. For the first time in her life she is truly independent, and after mearly two days she almost dies. I thought Jane was supposed to be a strong, headstrong woman, but really, reflecting on past passages, there has always been someone there holding her hand. Also, after she almost dies, but is luckily saved by the Rivers, she recovers, and then, her first time downstairs she calls out Hannah, Who took care of and nursed her back to health. Jane had no right to accuse Hannah of anything, I think that Jane thinks herself better that hannah because hannah is a servant. And it is only because Jane knows this that she picks up enough courage to knock on the door.
The Rivers Family is very interesting, the twins are better looking versions of Jane, and St. John is almost like the male version of Jane. I think Bronte uses the twins to show how Jane is her own person, they go off to be governesses, which jane just was, and aren't mentioned again. Bronte makes the twins and Jane so similar to show how different the choices Jane makes are, how "individual" she is. Also, I don't think jane will last very long at her post of schoolteacher, she said yes mostly to repay St. John for his hospitality. But it is not what she wants, being a schoolteacher is too normal, too conforming for Jane. I can't understand why Jane doesn't just accept some things and be content with her life. Maybe this book wouldn't be as interesting, maybe some women are just unhappy to the finish. I predict that this book will end with Jane's death, there will be no happily ever after, and Jane will make sure of that.
Continuation to previous
all happiness lost...
ok so a lot has happened in the last couple of chapters. To start off i dont blame Rochester for not telling Jane, I mean im not saying the whole thing was entirely right but i do believe that he should be able to live a happy and normal life. He shouldn't have to be tied down to his insane wife when there is nothing more he can do for her. I think its sad when Jane leaves because she really loved him, but she is trying to do the right thing. "My visions are all very well, but I must not forget they are both absolutely unreal." This just goes to show that Jane is in the right state of mind and is trying to be realistic about the whole situation. I waver back and forth in terms of if she should stay with Rochester and live a happy life where she can love and be loved or if she should move on and do the morally right thing. It takes a lot of courage on Janes part to leave Rochester and Adele and Mrs. Fairfax, that was in essence the only happiness she ever knew and for her to just walk away from that in hopes of a better life somewhere else was very risky. Even after Jane leaves it talks about how she is torn up in side, "It was a barbed arrow-head in my breast; it tore me when i tried to extract it." I feel bad for her but at the same time it was her decision.
The events in the book definitely take a turn for the worst once Jane leaves Thornfield. Jane has no acquaintances no food and no where to sleep. this is a total bummer for Jane. Although, I feel pretty confident when i say that she will make it out of this hard time and good things are soon to come.
Tuesday, September 23, 2008
Jane Has a Family
Monday, September 22, 2008
Something to Fall Back On
What A Small World
Josh's Analysis Through Chapter 33
Lightning Strikes MY Fancy
cool book
excitement! FINALLY!
But then! Then we find out that these kindly souls are actually.....HER COUSINS! What the hell is this?????? JANE HAS FAMILY??????? SINCE WHEN??????? Part of me is really mad actually, because it wasn't this subtle enlightenment, like finding out Rochester had a wife. It was just "O yeah, by the way, I'm your cousin". It's like Bronte got bored or something, and just couldn't write anymore.
I hope, after this, it picks up a bit. It could've ended, right then. There better be something more...something a little bit more exciting....
Josh's Analysis Through Chap 31
I have a very strong hunch that the Rivers' uncle is also Jane's uncle, and she was the one who received his fortune. It is left to "one other person, not more closely related than we" (Jane is also his niece), the uncle is childless and had already offered to leave his fortune to her.
A New Beginning
Sunday, September 21, 2008
Changes (and similarities?)
Like Rochester she caught Mr. Rivers in a time of insecurity. He was home, after the death of his father, tending to his younger sisters; not something he normally did. Jane looked deep into both of the men and seemed to uncover them quickly.
Jane’s new place as a teacher seems absolutely nothing but suiting. Her free spirit will find the children and they will prosper in an education that is new to girls of the time. I am excited for Jane in the finding of something independent. Here, in this new home she can make a life for herself. The change of tone to a present tense suggests Jane might be here for a while, possibly until the end of the novel. This feels from a reader’s perspective to be a place of comfort and abundance. This strange light that led her to the Moore house has led her to this new life.
Complete Change Over the Weekend
A Change of Character
Not only has Jane’s character structurally changed, but Bronte’s style of writing now includes this underlying message of “Nature.” I feel as though this constant thought of nature is a new principal that Bronte is considering. Jane spends two nights in the “open air” and then Jane continues to make all these human connections based off of how “nature” must have seen them (ie. St. John’s disposition as well as Miss Oliver’s). The word nature continues to appear in this last section and I just wanted to take a simple note of that.
Also, sorry let me go off on yet another tangent, when Miss Oliver is first introduced, she has an odd resemblance of the virgin bride. She is clad in pure white, while Carlo (the dog) throws back a “long veil.” This imagery distinctly imitates that of a bride and perhaps it is only because of the lost wedding that Jane never had, or maybe it has some deeper meaning.
As a whole, this novel seems to be taking a change, new characters are being introduced, new ideas seem to be appearing and a new side of Jane is being distinguished. Fortunately there is still a good deal of book left, and hopefully Bronte can tie it all together so the reader can understand the distinct rate of change that has so abruptly corrupted the plot.