Thursday, March 5, 2009
Wednesday, March 4, 2009
Ending it with Blood
Good Book...Crappy Movie
Tuesday, March 3, 2009
Pretending
Additionally, I think the use of actors in the play make the play seem more real to the audience. It connects them with the characters because they can say, hey, thery're watching a play just like I am, this could happen in my life. Because Shakespeare makes his play seem more realistic to the viewers, his themes resonate all the stronger. We can see a little bits of ourselves in each of the characters and that causes us to reevalueate them and ourselves. However, he also uses royalty to paint a more intense drama and keep a little separation between entertainment and real life. I liked this play because of the drama and action portrayed by conflict between the true and fake characters.
Inevitable Death
ok, for real this time; Death
Stayed is The Hand...
Death from Above
shakespears to be or not to be.
oh Hamlet
Death, Love, Betrayal and Horrid Facial Hair
"Love"
The romance in this novel is not as important of a part as the other themes, however it is present. The only true romance is between Ophelia and Hamlet, the feelings between the King and Queen are fake and disgusting. Ophelia and Hamlet do truly love each other, however, his act at being insane ruins their relationship. There is love between the family members but it is a different kind of love obviously. Hamlet loved his father and that is what drives him to end the life of his father's killer. Laertes loved his father and sister and that is what pushed him to want to destroy Hamlet. The family bonds are very strong in this novel and I admire that.
"Betrayal"
The family bonds are strong, however, Claudius is an exception to that. He put power ahead of the love for his brother and nephew. After betraying his brother by poisoning him and stealing his thrown, he attempts to murder his suspicious nephew, Hamlet. I hate Claudius for everything he put his family through. I blame everything on him. Had he not murdered his brother, Hamlet would not have pretended to be crazy and drive Ophelia to suicide. Polonius wouldn't have been hiding from Hamlet and wouldn't have been slain. All of these peoples deaths can resort back to Claudius' mistake.
"Death"
Shakespeare seems to always have the main character die, he thoroughly enjoys it I am convinced. I do think that all of these deaths were necessary though. It adds onto the betrayal idea. The consequences of betrayal and murder are proven to be extreme at times.
Death
eathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathde
athdeathisprevelentinHamletyadeathdeathdeathdeathdeathdeathdea
thdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeat
hdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeathdeath
.... nead i say more?
???
Hamlet
We're All Fodder
Towards the end of Act Four when Hamlet arrives at the revelation that all beings are one in the same; the web of life is all that connects us as creatures living on Earth. When being interrogated as to the whereabouts of Palonius’ corpse Hamlet describes the cycle of life quite poignantly, “…we fat all creatures else to fat us, and we fat ourselves for maggots.” Inevitably we all survive off each other, we fatten up the cows to drink their milk and eat their meat, and we die after surviving off the cow and feed the decomposers below. Each species is interconnected and relies upon one another. This theme of things and people being connected is developed further when Hamlet delves into the realm of insanity after his father’s death, this lunacy eventually leaves Palonius’ bloody, morbid corpse lying motionless on the floor after Hamlet stabs him. Ophelia hears of her father’s death and is also driven insane, the loss of her beloved father is too much to bear just like Hamlet. This madness is eventually the death of both Hamlet and Ophelia. The insanity also indirectly steals the life of Claudius, Gertrude, Laertes, Rosencrantz, Guildenstern, and Palonius, in the end Hamlet’s obsession with his father’s death and taking revenge inevitably leaves each main character in the play lifeless. This fascination serves as the web that connects each character, like the web that connects each species; the web of life.
Hammy
The introduction of Fortinbras and his ability to act brashly provides the plot with two ends to a spectrum. You have Fortinbras who conquers Denmark on a whim, without hesitation, and then you have Hamlet, who cannot act without first thinking the situation over deeply, often resulting in overthinking, which then results in a missed opportunity and a contribution to his self-destruction.
NOTHING to do with Hamlet!
Playing with the Kings Mind
hesitation
Monday, March 2, 2009
The Mind
betrayal
Madness
Hamlet
To me they really exemplified the language and themes of the play. In the passage "To be or not to be..." Hamlet really explores the meaning of life and suicide, which often leads to actors over-playing the speech, and in "the fall of the sparrow" he discusses fate and the inevitability of death, which in itself is kind of a throw back to the "To be or not to be..."
The meanings behind these two passages leads me to a question though, why has every book we read since Jane Eyre dealt with suicide, at least theorhetically? I mean, Madame Bovary Emma kills herself, Flaubert's Parrot Braithwaite's wife killed herself, Mrs. Dalloway Septimus kills himself and Clarissa considers it, The Hours Richard kills himself, Laura Brown considered it, and Virginia Woolf killed herself (although that is a historical fact), and now Hamlet Ophelia kills herself and Hamlet considers it many times. I'm just trying to figure this out.
Back to Hamlet, I have to acknowledge that supplementing the reading with watching Kenneth Brannagh's version really helped.
A great work...
Hesitation
The Lovely Destruction
insanity
"Sex and Violence"
Right off the bat Gertrude is perceived as an “incestuous” bride for marrying within a month of Hamlet’s father’s death (Act 1.2). The audience never hears a soliloquy or independent speech that givers Gertrude’s point of view. Even though she probably doesn’t deserve it, there is never time to find out whether or not there is true love between her and Claudius. It is all from Hamlet, the man’s point of view, and women are initially seen as deceiving and “whore-like.” We never really get to understand what Gertrude’s motives and involvement were with the death of her husband, it almost seems as if her reputation as a character is sought after more than the power hungry Claudius. It is evident from the initial introduction of Gertrude that women are not perceived as they are today (which is partly due to the fact that it was in the era, but isn’t Shakespeare supposed to be this genius who writes meaningful plays that have lasted for centuries as a form of “excellent writing??)
Then there is Ophelia. Between her brother telling her that Hamlet’s love will be short lived, her father conspiring against her lover with her letters, and Hamlet telling her to go to a “nunnery” (Act 3.1), it is no surprise she is driven mad. Ophelia’s mistreatment and her road to madness makes me give a second thought to Shakespeare’s motives. Shakespeare obviously understood the public disdain and mistreatment towards women or it wouldn’t have been included in his plays, however by having Ophelia go mad is he trying to represent how it’s surprising that all women don’t go mad because of all the discrimination during this era? I don’t know how if I want to give him credit for this because throughout the play Hamlet’s is constantly calling his mother and Ophelia whores as well as metaphorically integrating it into the rest of his language.
In a roundabout sort of way this comes back to the combination of lust and murder throughout the play. In between all the discrimination of women there is all this violence succumbed by the essence of love. Ophelia drowning herself and Gertrude remarrying so quickly cause turmoil that has the potential to turn dangerous. I wonder if Shakespeare had some kind of “hater-feelings” against the actuality of love and blamed women for it. But at the same time it seems that Shakespeare could have considered the fact that because of society’s indiscrimination it wasn’t entirely women’s fault that they invoked corruption, and in a sense Shakespeare intended to give most women credit for not going mad and drowning themselves. The many messages distributed throughout Hamlet can all be seen from different point of views, was Hamlet mad or was he faking it, are women viewed as “whores” or actually accredited in a “hidden” meaning (if they should be accredited why should it even be hidden??), no matter what the true meaning Shakespeare definitely had some talent up his sleeve.
Sunday, March 1, 2009
Madness
I don't really have a main idea that I'm trying to convey here, I'm just musing. Maybe the type of insaity suffered by Hamlet and Ophelia reflects the cause of their respective insanities? Because Hamlet's was fake, a part of a vendetta scheme, his craziness was louder, causing him to say vulgar things, and just generally be a nuisance. Ophelia's craziness, however, was true, and the effect of suddenly having her father killed, not in an attempt to avenge him. Perhaps this shows the innocence of the characters? Hamlet was a sneakier person, while Ophelia represented a purer person? I don't know, really, haha.
Love and Madness
To Act or Not to Act
Hesitation
Death
acting within acting
Family Relations
Tragedy? Or not....
Mad
Insane in the Membrane
The tragedy of Hamlet
hamlet
Inability to take action...
Sex, Violence, Madness-- what else do you need?
He Who Hesitates... One to many (death)
I believe the presences of death throughout the play in some way connect to the central theme that revenge is merciless. Far more characters are sacrificed than seems necessary, which in a way exaggerates the prominent message: to avenge at any cost. The initial act of murder, Claudius poisoning his brother Hamlet, has an immense effect on the lives and actions of those close to him. Hamlet's wife, Gertrude, rushes into a shotgun wedding, Hamlet Jr. becomes depressed, Claudius is given the throne, and the ghost of Hamlet comes back to tell his son to seek revenge on his murderer. Each resulting death is tied in one way or another to Claudius's initial act of violence on his own brother, revealing the deadly implications of murder. One death ultimately resulted in the slaughter of over half of the characters, which does seem a tad overdone, but nonetheless it makes known Shakespeare's beliefs about murder and accordingly its effects.